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    Yes. I noticed. A pause, then: Also you looked very good out there. Almost made me forget you are my patient.

    Former patient, Shane corrected before he could even think twice about it, then cursed his own brain. He gnawed the inside of his cheek raw. 

    Mmm. Former. Another pause. Shane's mind supplied him a very unhelpful memory of Ilya's humming, felt it resonate deep inside of him, with a need he didn't want to name but could. Are you home?

    In which Dr. Rozanov gets intimate with Shane's eyes... and elsewhere.

    As of June 30, 2026, additional meta resources have been added to this work.

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    29 Jul 2026

    Bookmarker's Notes

    Resource - how to detect ai

  2. Public Bookmark *

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    "All told, Kasamatsu is not the kind of person who would ordinarily object to sharing space with anyone.

    It’s just that Kasamatsu has successfully hidden the fact that she’s a girl for two years now, and she can’t help but think that’s going to be a lot harder to do with a roommate."

    --

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    30 Nov 2025

  3. Public Bookmark *

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    09 Mar 2025

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    "How long have we known each other?" Her voice felt rusty.

    Raoul was sprawled next to her on the bed. He blinked at the ceiling and cracked his neck. "Twenty years?"

    "Twenty years," Buri sighed. She felt like steam was rising off both of them. "We could have been doing this for twenty years."

    __________

    Sometimes it takes a while to go from friends to lovers. But it helps if you can read each other's minds.

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    08 Jan 2024

    Bookmarker's Notes

    absolutely fantastic

  5. Public Bookmark 35

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    Katya dies. Katya lives. Katya fakes her own death, which is a metaphor for dying, even if she survives. Note that we never see Katya after her fake death is reported to Goncharov, because the movie is not interested in Katya’s survival; it is interested in her loss. Note that it can be argued this lacuna is of no particular significance, given that we never see her before that, either, because the movie doesn’t exist. Note that Goncharov never sees her, really: note how often in their scenes his eyes are somewhere else, how rarely their conversations fall into the familiar visual rhythm of shot/reverse shot (compare with his exchanges with Andrey, particularly just before the scene on the bridge). Note how often this has been true, on screen and off it: that a husband never really sees his wife. Note how often the effect of cinema as an art form has been to document that men never really see women.

    (Or: A story about a girl, or a story about a story, or a story arguing that these are the same, insofar as this could be described as a story at all, which it is very much not.)

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    05 Oct 2023